Italian painter (active 1338-1368 in Padua)  Related Paintings of GUARIENTO d Arpo :. | Angel with Millstone | Angel hi | Angel khi | Angel lyiu | Angel |
Related Artists:
Master of the Schotten Altarpiece
was a German painter, active in Nuremberg during the 14th and 15th centuries. His name is derived from an altarpiece dated to about 1390, which once stood in the church of St. Mary in Schotten. The altarpiece was dismantled in 1828.
Louis Buvelot
Swiss-born Australian Painter 1814-1888 was a Swiss-born landscape painter who emigrated to Australia in 1865 and influenced the Heidelberg School of painters. Buvelot was born in Morges, Vaud, Switzerland, second son of Francois Simeon Buvelot, postal official, and his wife Jeanne-Louise nee Heizer, a school teacher. Louis Buvelot worked under Marc-Louis Arland at Lausanne, and from around 1834 continued his studies at Paris with Camille Flers, a well-known landscape painter of the day. After a few months there he migrated to Bahia, Brazil where he worked on his uncle's coffee plantation. In October 1840 Buvelot moved to Rio de Janeiro and attracted the notice of the emperor Dom Pedro II, who bought some of his pictures and decorated him with the Order of the Rose. In November 1843 Buvelot married Marie-Felicite, nee Lalouette (born 1816). Buvelot returned to Switzerland in 1852 and in 1856 was awarded a silver medal for a picture exhibited at Berne.
Pavel Chistyakov
(July 5 [O.S. June 23] 1832 - November 11, 1919) was a Russian painter and teacher of art. He studied at the St.Petersburg Academy of arts (1849-1861) under Petr Basin. He was a pensioner of the Academy of Arts in Paris and in Rome (1862?C1870). He taught in the Drawing School of the Society for the Encouragement of the Arts (1860-1864), and in St.Petersburg (from 1872) he was the professor-head of workshop (1908-1910) and managing mosaic branch (1890-1912). The art-pedagogical system of Chistiakov, whose students included Viktor Vasnetsov, Mikhail Vrubel, Vasily Polenov, Ilya Repin, Valentin Serov, and Vasily Surikov, developed in constant struggle against the inert system of academism and played a huge role in the development of realism in Russian art of the second half of the 19th century. The main goal of Chistiakov was the preparation of the artist-citizen possessing high professional skill. His pedagogical method assumed the merger of the direct perception of nature by the artist with its scientific study. In creative practice he aspired to dramatization of a historical plot and psychological saturation in historical and genre portraits (Head of a Ciucciara, 1864, in the Russian Museum,